Several years ago, when the great Indian sarodist Amjad Ali
Khan played at my university, everything seemed music-as-usual on stage. The
maestro was flanked by his two sons—both sarod players—and by an extraordinary
tabla player. But something was missing. There was no tanpura player providing
the droning backdrop behind the principals.
In her place—tanpura players are often women acolytes of the
master’s school (garana)—were two diminutive white boxes serving up digitized
drones.
Invented in 1979, the tanpura-in-a-box came
into its own in the late 1990s, when it incorporated sampled tanpura recordings
on a chip. Early on, it was meant for practice, but improved resolution has
recently brought it into the concert hall. (If it’s good enough for Amjad, it’s
good enough for me.)
By downsizing his tanpura player, Amjad is reducing his
costs and improving his margins, especially on extended international concert
tours. That, in fact, might be no great loss for out-of-work tanpura players, who
invariably aspire to more complex, challenging musical roles.
Plucking a droning octave and second note for two or more
hours in concert may be an honor, but it is a nonstop exercise in musical repetition
and repetitive motion. (The etymology of drone is connected with the male honey
bee and monotonous [monotonic] humming or buzzing, as with bees and bagpipes.)
The world we have lost? |
Digitization and
Disruption
The accelerating ousting of human beings by digitized
devices—now increasingly in skilled activities and the professions—is a
paramount issue of the day. It’s a nonlinear incursion that is driving
productivity alongside increasing human disruption. Among a spate of
recent books on the subject, The Second
Machine Age offers guarded optimism, emphasizing the value of human beings
and digitized machines working in partnership. That tandem, note the authors,
will ultimately spur entrepreneurship, a driver of job creation. The data-driven Rise of the Robots is less
hopeful, blaming digitization for increasing polarization between the haves and
the have-nots; the employed and the jobless.
(My own recommendations: Emphasize job creation via
entrepreneurship and invest strategically in agile, creative public sector
interventions that depart from big, clunky bureaucracies, to soften digitization’s
inevitable disruptions.)
A Digitized Tabla Machine?
You can buy one from DMS in New Delhi here. It may be a godsend for practice, but for recitals, I want more. Give me, if you please, those old-time polyrhythmic
interactions and improvisations (as Hank Kingsley once mused about conjugal
bliss) between two or more human beings.
2 comments:
Nice piece, Lou. The next 20 years are going to be very interesting, I think.
Great piece, Lou. I am with you regarding inevitable digital disruptions and how to navigate them. Nothing matches the real deal. - See more at: http://wigpen.blogspot.com/2015/12/employment-disruption-raga.html#sthash.bfIC2JgV.dpuf
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